The risk, the challenge, to obey your characters in writing that novel...

I've been meaning to write this since I went to a mid-winter retreat. There I met an editor and novelist who read my novel opening and heard the two possible ways I had been considering telling the story of my novel:  tell the stories of both the younger and older couples in two separate tracks, or tell everything in the present time period with a lot of flashbacks for the story of the older couple. I even asked for reader feedback on this. As mentioned in that post, what most readers said they preferred was the 2-track idea. I tried for a few weeks, but just couldn't make it work.

Well, what do you think the editor and novelist had to recommend? Exactly what you readers told me: I'd been hung up on 2 things: 1) that it seemed like a phenomenal amount of work to rework the 85% of the novel already written and 2) I wasn't sure the pacing of the stories would mesh well together. (Oh, I guess 3 things: I was just more comfortable in the point of view of Maizy and Curt when they are older, looking back.) I left the mid-winter retreat encouraged because novelist  Susan Gregg Gilmore really gave me a lot of encouragement, expressly because she talked about just having written a novel in the manner in which I write. She even had to start over, renegotiate a deadline with her publisher to do that phenomenal amount of work. But she did it. It is possible.

Last Saturday, I went to the Lancaster Christan Writer's one-day conference. I met with novelists there too who read my opening and my plan for the structure. Again and again, it was affirmed that the two-track idea for the 2 couples is the way to go. With Jeannette Windle, political suspense novelist, I admitted that in working on fleshing out the story of the older couple, I just felt daunted sometimes because I realized how much I didn't know about their story. Writing periodic flashbacks let me touch down on their story only every few years, even skipping a decade or more. But writing their relationship from a to z, in chronological order to have it parallel the other couples'--wow, is it hard! It's changing the story--eek! My characters are informing me that things I thought they did in their 30s or 40s or 50s are no longer logical or likely--because their 20-something or 30-something actions and situations in life change them in ways that change who they will in the future I imagined for them.

But multiple times, I was encouraged in this hard task, a task that may derail me from my goal to have a complete draft by the end of July. I was also told that my writing is very good and that my opening was gripping. My story gave them mystery. So for all that, I shall take heart and keep plugging away.

An it's not entirely unpleasant. I'm enjoying discovering exactly how Maizy and Curt were in their marriage through the years. It just really frustrated the goal-oriented side of me that still wants the goal to be "be done soon." I have to reprogram my goal to be "do what's best for the story. Just write it, and go ahead and overwrite it even, so you can find the best story."

Other things I write:

Postpartum Depression, Psychological Distress Predicted by Previous Traumatic Birth

Autism Rates Rise; University of Toledo Poises Itself to be Primary Resource for Deluge of Adults with Autism

Fast Food, Junk Food and Obesity Subsidized by Federal Government

The American Diet--Are We All Made of Corn?

No More Freelancing

Ok, I did it. In my last post, I talked about being hesitant to even say aloud what I KNEW I needed to do to give myself a fighting chance at finishing my novel. I wrote the first half of the equation in my last post about time management, admitting I was scared to say, for fear of accountability, what else I knew I needed to do. But, I've been doing it for two weeks, and I'm not dead.

OK, I'm being dramatic, but it did feel like such a hard thing to do: stop freelancing for magazines. I remember, two days after I made the commitment, I spent an hour searching out new magazines and having ideas! And that's exactly what has to stop if I'm going to finish the novel! The nap time novelist and nap time freelancer can't both succeed well right now. I told myself, "It's only temporary." I hope to be done with the novel draft by summer's end, and then, I tell myself, I can do some freelancing again. (Caveat: I'm already committed to one freelance assignment, so I do have to do that, but then I'm done....)

So far I haven't felt too bad about not freelancing. But then, with the slow way the business rolls, I'm still getting paychecks and seeing periodicals come out with my articles. In a few months, that will stop, and I'll reap no benefits, and I will miss them. I still get ideas all the time for articles. But I am disciplining myself to write them down and ignore them for 6 months. Or whatever's necessary.

The benefits of this change is the freedom to really keep the novel's plot and characters in my head space, instead of crowding them out for other assignments. I've found I accomplish much more with them because of this change, confirming this is what I needed to do. I'd been riding the fence between these two applications of writing ever since I started writing again in February 2010. I've been praying, weighing the pros and cons, and stubbornly trying to do both this whole time. I never would have thought back then it'd take me so long to just pick one to focus on.

Here's to finishing my novel! I'm feeling good about my goal. I've been writing nothing but the novel for 2 weeks now. It's good. It's really good.


A sample of my online freelance articles:



Natural Deodorants: Do Any Work as Effectively as Popular Commercial Brands?

Organic Food: Eight Benefits for You and Your Children

High Fructose Corn Syrup: Thirteen Reasons to Avoid It

Job Search: How to Make Your Application Climb to The Top of The Pile

Meaningful specifics: Draw out your character's essence

In Writer's Digest, I just read another writer saying that it's all in the details--things about your character that make him real, true-to-life for the reader. This is such foundational advice, I've been aware of it since middle school creative writing classes. And yet, how long can it really take to master this art?

"Meaningful Specifics." That's what novelist Susan Gregg Gilmore called those details at the mid-winter retreat I attended last month. As an exercise, she showed us photographs of houses and people and had us describe them, picking out, or making up, the details that characterized the personalities. Pretty simple stuff. And yet I can write thousands of words and know so many details about a character I write that I've lost sight of what are really the essential details. I have to ask myself--of the list of details I know, what are details that really define him: that played soccer in high school, that he loved grilled cheese sandwiches, that he wanted to be an illustrator but couldn't succeed in college art classes, or that he's perpetually late?

I read another article, in The Writer, about how to draw the details that give you maximum mileage. It included an exercise to draw, in a single sentence, a description of the essence of a few closest friends. I did, and I found it came down to a story I'd heard that, for me, defined how they were in their essence.

Here's one, I'll call this friend P:
"When there was no food left in the house, P concocted a soup for her siblings and parents that has lived on in legend." To me, the essence of P, what I most admire about her, is her resourcefulness, her ability to create art when everyone else sees nothing of worth. And her ability to survive hard circumstances.

Here's another, I'll call this friend H.

"Despite how difficult it was, and how everyone expected her to quit the nasty job of dealing with fish entrails for a suburban restaurant, H. refused to quit." That white-knuckled determination won my respect early on, so I've carried around this story for years.

I realized that in both instances, what encapsulated my idea of these friends existed in a story, both from a rather distant past, that for me defined who I saw they had been or become. I realize that for my characters in a novel or story, the "meaningful specifics" are the details of the same variety. SO, for my character Ash, is my knowing that he played soccer really that important? maybe not. What about grilled cheese sandwiches? Well, I know that he loves them because his mom made him ones with 3-slices of grilled cheese, out of guilt, when he was a chubby, isolated boy, and that is a foundational story for his link between food and love. He's never made it as an art major because his mother, an artist, criticized his lack of "eye," and his supportive girlfriend isn't with him in college to counteract his lack of confidence in the face of tough professors. Maybe that detail is important. I know his being late certainly is. He was an hour late picking up his date for the senior prom because he spent the time consoling a friend who never got a date and was on the verge of something extreme. His lateness is a "meaningful specific" because it reveals, upon further inspection, that its rooted not in lack of character or respect for others, but instead, a respect for others so deep that he cannot leave someone in need, no matter what obligations he'd previously assigned to himself.

I still feel like I'm wading though a swamp sometimes, when it comes to my novel. I've got so many ideas, words, pages. I see that my revision stage will be about carving out those meaningful specifics from all the other "stuff" I've collected over the years.

I feel encouraged by an epiphany of how to apply this business of specifics. In an opening chapter, Asher describes his wife for the reader: what she wears, her shoes, etc, all of which reveals her personality. And then I have a scene where he comes home and sees her sitting at her computer. I remember I have her wearing bed clothes and bedroom slippers--only because it was evening and it was a practical choice. but I realized the other day, I should combine the two things--the description of her clothing habits and the scene of her at he computer. I should simply have Asher describe her sitting at the computer in clothes and shoes typical of her personality--saves words. There was nothing wrong with her being introduced in bedroom slippers and sweatpants, and yet, it does nothing for the story and wastes words. It's a simple thing to realize, really. And yet I hope I'll continue seeing my manuscript through such eyes--seeing how I can economize every detail and word, to get the most mileage out of each. And thereby reduce my word count!

Other things I write:


Choices for Your Best Birth: Five women share what helped them most, and what they wished that had done differently for their deliveries.


High Fructose Corn Syrup: Thirteen Reasons to Avoid It

How to Determine If Your Child is Ready to Begin Kindergarten

100% Wheat Bread with Honey or Molasses, for a Bread Machine

Lyme Disease and Autism Patients Prescribed Diets Free of Genetically Modified Foods

Mastering Time Management to Meet Writing Goals

It's not that I haven't been aware of what's keeping me from meeting my writing goals. I know. And I'm going to tell you in this blog, which is why I'm still somewhat hesitant to publish it. Because my problem is not awareness--it's about the next step--commitment, and publishing is nearly like asking for accountability.

In honor of the new year, Writer's Digest had an article about revamping your writing routine--check if what you're doing is working for you, and adjust as necessary. Then last week, I went to a writer's retreat with author Susan Gregg Gilmore (Searching for Salvation at the Dairy Queen and The Improper Life of Bezellia Grove) and she asked what do all writers have in common? Her answer was, a routine. I remember her photo in the power point presentation: an alarm clock with six o'clock blazing. It happens to be the time I used to get up at regularly.

So I confess, this is a problem. I went through many changes last fall. My husband changed his work schedule and that affected mine. Illness and back pain thrown in, and I lost a lot of time. I used to write during 2 scheduled times a day. I got up at 6 and could get an hour of writing in before the kids were up. I wrote again during nap time. I thought, when my husband started a job that required more travel, that I'd get more writing done during the evening hours when he was off somewhere else in the world and my kids were asleep. However, that hasn't really happened. Not only have I not accomplished extra writing, I haven't even been sticking to my two scheduled times when my husband is home. Sometimes I just didn't want to get up, or was honestly not well and needed to sleep. (I also went through  bout of insomnia, and I knew I had to sleep in to compensate in order to survive the day of being, essentially, a single parent.)

My husband is currently not traveling, but his new job has flexible hours. Instead of having to get up at 6, he can decide to not go in until an hour later, and turn off his alarm and sleep until 7. Sounds nice in the moment, but then, when I get up with him later, the kids are up, and that's it for any hopes of mine at getting any writing done.

My other problem is my afternoon habits. I appreciated when Gilmore talked about how she starts with facebook, twitter, email, etc. "A warm-up," she called it. I get that. I can't go from the stress of putting two (usually) cranky kids down to nap, immediatley into typing words for my novel. I need a way to decompress and switch gears. I have been checking facebook and answering email to do that. The problem is, an hour slips by, the kids can be up in 30 minutes, and my writing time has just been squandered. I did the same often when I had opportunity to write in the evenings when my husband was traveling.

If I'm ever going to meet my deadline of finishing a first draft of the novel in July, I've got to get a handle on this again. I've got to commit to getting up early when my husband is home, evne if it means I respond to the alarm when he just turns it off for his own purposes. And during nap-time, I've got to limit myself by time. I need to allow myself the facebooking, but, honestly, I get kinda numb and keep scrolling down mindlessly. I even start searching for mindless things to do just because I feel fried and don't know how to transition to the real writing. But I need to limit all that, even if it means setting a timer for15 minutes!

So that's one of the biggest things I got from my writing retreat at Aaron's Books in Lititz. It's not earth-shattering. It's not some great writer's trick to cut in half the amount of work my novel needs.  But it's fundamental, crucial. My level of self-discipline will make or break my writing career.

At least that's half my problem. The other half, I'll save for another post. That one's even harder to confess because I'm not sure I have the strength to attempt holding myself to it.

Other writing I've published:
Natural Deodorants: Do Any Work as Effectively as Popular Commercial Brands?

Organic Food: Eight Benefits for You and Your Children

High Fructose Corn Syrup: Thirteen Reasons to Avoid It

Job Search: How to Make Your Application Climb to The Top of The Pile

Prescription: Writer's Retreat, 1 dose for three consecutive days

I said I was going to cut back on freelancing for magazines to devote more time to completing the first draft of my novel by July. Followers also probably wondered if I was sticking to that goal at all, based on my posts about taking on more assignments! Yes, I've been shooting my novel in the foot with article success. In December particularly, I took too many assignments and barely touched the novel.

So how can I get myself back on track with my goal to complete the first draft by this summer? When I know I say it, and then still keep taking more freelancing opportunities?

It's just that I really like freelancing. It's that magazine article writing is very manageable, finite, and comes with a firm reward and pay at the end. I like the satisfaction of completing something and getting paid (however low it may be at some publications...) I get weary sometimes of writing something to difficult, so long-term that I can barely see the light at the end of the tunnel. Freelancing revived my love of writing, many times--but there is too much of a good thing. I said I'd stop seeking new assignments after Christmas. That too has not been true. I was seduced multiple times by call-outs for a few magazines.

When I set my July goal for the novel draft, I thought I was being generous, thinking I could even finish by January. It's now February...

I needed some accountability and encouragement, clearly! So I went to a three-day fiction writing retreat though Aaron's Bookstore in Lititz, PA, featuring editor Kate Kennedy and author Susan Gregg Gilmore (Searching for Salvation at the Dairy Queen and The Improper Life of Bezellia Grove).I hoped it'd energize me towards completing my novel.

So far, so good. As I drove home last night from the conference, my mind was at warp speed entertaining new possibilities for getting my characters to that end--my mind thinking about basic equestrian knowledge, Shakespeare's Much Ado about Nothing that I'll have to brush up on, and beach scenes. I got up at 6 with my husband this morning and put in over an hour toward moving my novel towards its end in the plot.

And now I'm going to take that inspiration and work some more this afternoon. But I hope, in later posts, to share what I learned at the writing retreat. But for now, I've got to use my drive to write for the novel!


Articles I've published recently:


Job Search: How to Make Your Application Climb to The Top of The Pile

Lyme Disease and Autism Patients Prescribed Diets Free of Genetically Modified Foods

How Much Genetically Modified Food Do You Eat?

Prostate Cancer: Nutrients for Prevention and Defense

A Day Well Spent Following My Own Advice

Today I actually did what I say I want to do: I worked on my novel for about 30-40 minutes this morning, after my husband went to work. Then during the kids' nap, I edited a quick (literally an hour or less of work) article in response to a magazine's call for articles on eating at restaurants with kids, then sent out an article I wrote nearly 2 years ago to an anthology calling for submissions on the topic.

See, my goal is to stop writing so many new articles, and instead redirect the time to 1) my novel and 2) finding homes for the articles already done.

I tell myself the article on eating out with kids was OK because it was not time-consuming; I'm just trying not to rope myself into 10, 20, 40 hours of work on an article that may never see the light falling on a printed page. Or even for one that will get printed, because I've got this goal to complete my novel draft in July!

All in all, this was a good writing day--a day when I feel accomplished, having finally obeyed my own pronouncements about my priorities. These days are rare...

Keep writing! We'll all get there if we keep writing!

Perseverance--most important skill for selling your writing?

I was giving up on the article. I'd written it a year ago, and had failed to sell it to the few magazines I thought would be interested. The topic was herbal remedies for common ailments--typical things like colds, fevers, poison ivy, etc. As has happened before, I was just behind the trend, not right on it. Parents magazine had just done a similar multi-page article, and Kiwi magazine was addressing the topic regularly through a monthly column. After magazines I thought would be interested declined, I even tried a small website that published things for natural-minded mommies, and I got no response even then. I'd thought my article would be an easier sell than my longer articles; I rarely write short, and this was around 800 words.

My default plan of publication is publishing online through a content writing site; I've really fallen off writing for them; the financial rewards are far below what I'm making in other print arenas. But if I can't sell an article to a magazine, it's a good last-ditch effort to make something, rather than nothing, off of an article. So that was my plan--but I was slow in getting it done (even though the sooner I'd place the article on the site, the sooner it could earn....)

Meanwhile, while I was "not getting around to it," a local magazine editor responded to a list of article ideas I'd sent her a while back. She pulled 3 of my 5 suggestions and said she wanted me to write on them--2 due in mere weeks, another for later in the year. She said she was doing a special issue in March/April on green living, so my 2 natural/green-lifestyle ideas (natural makeup/skin care products and natural birth prep) fit what she was looking for. With 3 assignments snagged, I felt pretty good--I'd never gotten as much repeat business from a client yet. Then the next day, a germ of an idea grew in my mind. If the editor was looking for green lifestyle ideas, what about my herbal medicine cabinet article I was about to give up on?

Now, this editor doesn't accept already-written articles--she doesn't even operate through the traditional query system that magazines use. She's a newspaper gal and the magazine is produced by the newspaper, so it's a different style altogether. But I gave it a shot anyway--retitled the article "Greening your first aid kit", explained I'd already been working on it and wondered if she might find it interesting for the March/April issue.

Her response: "I love it. Just throw in a couple quotes from local natural health professionals, and it's done."
So I'd gotten 4 assignments! And one almost done!

And to think, I'd almost given up on that article. I'd almost turned it in for chump change, but now, I've gotten considerably more already direct-deposited into my bank account for it! Not to mention, I've gotten an article out to the reading public on a topic I'm very passionate about and think is important info.

So here's the lesson: Keep looking for other places to sell; don't give up!

Other articles I've published.
Treating Depression with Natural or Alternative Medicine


Is Lyme Disease Lurking in Your Unexplained Symptoms?

Baby Food: Save money by Making Your Own

Potty Training: Cloth Diapers vs. Disposables

Cloth Diapers Versus Disposables: Switching Systems